It’s probably meant to be a film about the mysteries and verities of love, true or false, real or imagined it’s just that one is left sniggering over the closing credits. I’d say that Natali descends into bathos, right at the very end, so that might even be a recommendation for more cynical viewers. Presumably, the sex scenes are where the 3D fad is meant to pay off I had some old 3D glasses but all I ever get from those is a headache. Maybe it’s fair to say that neither man’s testimony is entirely true why should they be? The sculptor’s romantic sexual relationship with her is cleverly contrasted with the gratuitous sexual affair he has since enjoyed(?) with his curator, their sweaty humping versus the tenderness and adoration given to Mi-Ran. She’s very beautiful but that’s pretty much it. I can’t say that any aspect of this film is wholly convincing – the interview, the rather idealized affair, or why it had to stop (something I didn’t really get) – nor did I really believe in Mi-ran as a character. The visitor picks up the story and we learn how things turned out. Natali is a metal sculpture of a naked woman in an erotic pose.
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